Representation of Masculinity in Chinua Aschebe's "The Voter" and Dimas Jayadinekat's "Si Pemalu Menang Pemilu": A Comparative Analysis
Abstract
The social construction of masculinity supports men's dominant roles, the subjugation of both the general male and female population, and other suppressed manifestations of masculinity. To reveal that subtle aspect, this study investigates how masculinity is portrayed in "The Voter" by Chinua Achebe and "Si Pemalu Menang Pemilu" by Dimas Jayadinekat. This study used the social construction of masculinity and hegemonic masculinity by Connell. Since the data took the form of narratives about the short stories, the qualitative descriptive method was used. A close reading technique is used to support the analysis of the data to find evidence. The result shows that there is some evidence of the social construction of masculinity and actions done by the main characters that represent hegemonic masculinity. Even though these short stories have different origins, the construction of masculinity of being an ideal man is relatively similar. It has also shown that masculinity is not simply ‘there’, there must be a construction of masculinity by society as depicted in both short stories.
Downloads
References
Achebe, C. (1991). The Voter. In Girls at War and Other Stories (Reprint Edition). Penguin Publishing Group.
Ariani, A. T. (2015). The Portrayal of Masculinity in To Catch A Prince by The Portrayal of Masculinity in To Catch A Prince by Gillian Mcknight.
Barksdale-Hall, R. (2007). Chinua Achebe: A Bio-Bibliographic Review.
Connell, R. W. (1995). Masculinities (2nd ed.). University of California Press.
Connell, R. W., & Messerschmidt, J. W. (2005). Hegemonic masculinity rethinking the concept. Gender and Society. SAGE Publications Inc.
Donaldson, M. (1993). What is Hegemonic Masculinity? Theory and Society, 22(5), 643–657.
Fisher, D., & Frey, N. (2014). Close Reading as an Intervention for Struggling Middle School Readers. Journal of Adolescent and Adult Literacy, 57(5), 367–376.
Gürkan, H., & Serttaş, A. (2022). The Representation of Masculinity in Cinema and on Television: An Analysis of Fictional Male Characters. European Journal of Multidisciplinary Studies, 7(1), 128-137.
Hanson, K. (2013). Close Reading For Adult Learners.
Jayadinekat, D. (2024). Si Pemalu Menang Pemilu. Retrieved 20 March 2024, from https://www.nu.or.id/cerpen/si-pemalu-menang-pemilu-lPATz
Jewkes, R., Morrell, R., Hearn, J., Lundqvist, E., Blackbeard, D., Lindegger, G., Quayle, M., Sikweyiya, Y., & Gottzén, L. (2015). Hegemonic Masculinity: Combining Theory and Practice in Gender Interventions. Culture, Health and Sexuality, 17, 112–127.
Kasih, E. N. E. W., Fitratullah, M., Husna, M., & Mulia, M. R. (2014). Delineating Masculinity Belief in Guy de Maupassants’ Three Short Stories. Journal of Feminism and Gender Studies, 2(2), 139-152.
Kimmel, M. S. (2005). The Gender of Desire: Essays on Male Sexuality. New York: State University of New York Press.
Kurnia, N. (2004). Representasi Maskulinitas dalam Iklan. Jurnal Ilmu Sosial dan Ilmu Politik, 8(1), 17–36.
Patel, R. B. (2014). The Voter: A Poignant Satire on Human Weakness for Power and Money. International Journal of Research in Humanities & Social Sciences, 2(8).
Ramdhan, M., Ariyanti, L., & Harti, L. M. S. (2021). The Representation of Masculinity in Men’s Health Magazine on Advertisements. PIONEER: Journal of Language and Literature, 13(1), 52-67.
Reeser, T. W. (2015). Concepts of Masculinity and Masculinity Studies. Brill.
Roberts, S., & Elliott, K. (2020). Challenging Dominant Representations of Marginalized Boys and Men in Critical Studies on Men and Masculinities. Boyhood Studies, 13(2), 87–104.
Zapata, J. V. (1993). Men of The People: Chinua Achebe’s Post-colonial Intellectuals and Politicians. Atlantis, 15(1), 215–228.
Copyright (c) 2025 GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia uses an Open Access Policy under the Creative Commons Attribution-ShareAlike 4.0 International License. Authors publishing in this journal agree to the following terms:
- Ghancaran Journal holds the copyright and grants the journal rights for first publication with the work simultaneously licensed under a
The work is distributed under Creative Commons Attribution-ShareAlike 4.0 International License which allows others to share, copy, and redistribute the material in any media or format and adapt, remix, change, and develop the material even for commercial purposes, as long as it is stated credit and license derivative works under similar terms. - Authors may make additional contractual arrangements for non-exclusive distribution of the journal's published work version.
- Authors are permitted to post their work online (e.g., in institutional repositories or on their websites) before and during submission, as doing so may lead to productive exchange.