Isinga: Objectification and Abjection in Women
Abstract
Isinga (2015) by Dorothea Rosa Herliany tells about the downturn of women so that they often become objects of the patriarchal system adopted by the local culture as well as the potential to cause abjection of female figures. This study attempts to analyze Isinga (2015) with Kristeva's perspective on abjection and Calogero's objectification of women. By using qualitative methods, this study used a feminist approach to see gender inequality in the novel. The results obtained from this study are that Irewa experienced objectification, which then continued to become an abjection. Irewa's objectification occurred because her husband, Malom, made her a sexual object. Jingi only received abjection since she was born because she was born with twins with Irewa, one of whom had to be thrown away so that the village would not be in danger.Isinga (2015) by Dorothea Rosa Herliany tells about the downturn of women so that they often become objects of the patriarchal system adopted by the local culture as well as the potential to cause abjection of female figures. This study attempts to analyze Isinga (2015) with Kristeva's perspective on abjection and Calogero's objectification of women. By using qualitative methods, this study used a feminist approach to see gender inequality in the novel. The results obtained from this study are that Irewa experienced objectification, which then continued to become an abjection. Irewa's objectification occurred because her husband, Malom, made her a sexual object. Jingi only received abjection since she was born because she was born with twins with Irewa, one of whom had to be thrown away so that the village would not be in danger.
Downloads
References
Anastasia, A. (2021). Agensi Perempuan Papua dalam Memperjuangkan Perdamaian. Imparsial.org, 1–7.
Arifin, M. Z. (2018). Menelusuri Abjeksi Subjek dalam Novel Ayah Karya Andrea Hirata: Kajian Semiotika Revolusioner Julia Kristeva. Bebasan, 5(2), 1–9.
Arivia, G., & Gina, A. (2015). Culture, Sex and Religion: a Study of Contract-Marriage in Cisarua and Jakarta. Jurnal Perempuan, 2(1), 57–64.
Artana, F. K. W. (2018). The Woman Objectification and Abjection in Hannah Kent’s Burial Rites. Language Horizon, 6(1), 74–84.
Batubara, P. A., Simangunsong, F., Panggabean, S., Saragih, E. L. L., & Simanjuntak, H. (2022). Analisis Feminisme Radikal dalam Novel Isinga Roman Papua Karya Dorothea Rosa Herliany. Jurnal Pendidikan Tambusai, 6(2), 15558–15572.
Calogero, R. M., Tantleff-Dunn, S., & Thompson, J. K. (2011). Self-Objectification in Women: Causes, Consequences, and Counteractions. In American Psychological Association. American Psychological Association.
Carson, D. (2020). Abjection and the Maternal Body: Rethinking Kristeva and Phenomenology. University of Windsor.
Faruk. (2012). Metode Penelitian Sastra: Sebuah Penjelajahan Awal. Pustaka Pelajar.
Fredrickson, B. L., & Roberts, T. A. (1997). Objectification Theory: Toward Understanding Women’s Lived Experiences and Mental Health Risks. Psychology of Women Quarterly, 21(2), 173–206.
Handayani, C. S., Arivia, G., Haryatmoko, & Robet, R. (2013). Subyek yang Dikekang (Y. A. Pareanom (ed.)). Komunitas Salihara-Hivos.
Heriyati, N. (2020). Dekontruksi Perempuan Abjek dalam Tiga Cerpen karangan Intan Paramaditha. Wanastra: Jurnal Bahasa dan Sastra, 12(2), 259–265.
Herliany, D. R. (2015). Isinga: Roman Papua. Gramedia Pustaka Utama.
Intan, T. (2021). Objektifikasi dan Resiliensi Perempuan dalam Novel Perempuan Bayangan Karya Netty Virgiantini. Fon: Jurnal Pendidikan Bahasa dan Sastra Indonesia, 17(2), 108–121.
Irmawati. (2017). Mitos Masyarakat Papua dalam Novel Isinga Karya Dorothae Rosa Herliany. Bastra, 1(4), 1–12.
Jones, L. (2007). Women and Abjection: Margins of Difference, Bodies of Art. Visual Culture & Gender, 2, 6–15.
Kahalon, R., Shnabel, N., & Becker, J. C. (2018). Experimental Studies on State Self-Objectification: A Review and an Integrative Process Model. Frontiers in Psychology, 9(AUG), 1–27.
Kristeva, J. (1982). Power of Horror: An Essay on Objection (L. S. (translator) Roudiez (ed.)). Columbia University Press.
Lindner, D., & Tantleff-Dunn, S. (2017). The Development and Psychometric Evaluation of the Self-Objectification Beliefs and Behaviors Scale. Psychology of Women Quarterly, 41(2), 1–19.
Maelani, L., & Fauziyah, N. (2021). Analisis Unsur Intrinsik dan Kebutuhan Primer Masyarakat Papua dalam Novel Isinga Karya Dorothea Rosa Herliany. Prosiding Samasta, 464–477.
Nada, A. Q. (2023). Peran Tokoh Perempuan Irewa dalam Roman Papua “Isinga” Karya Dorothea Rosa Herliany: Kajian Feminisme. J-SES: Journal of Science, Education, and Studies, 02(2), 81–99.
Nugroho, Y. E., Sumartini, & Prabaningrum, D. (2023). Otoritas dan Kemandirian Perempuan dalam Karya Sastra Indonesia Modern. Jurnal Sastra Indonesia, 12(1), 48-55.
Prabasmoro, A. P. (2006). Abjek dan Monstrous Feminine: Kisah Rahim, Liur, Tawa, dan Pembalut. in Pustaka Unpad. Jalasutra.
Putri, D. S. (2018). Realitas Sosial dalam Novel Isinga Karya Dorothea Rosa Herliany (Kajian Sosiologi Sastra). Sapala, 5(1), 1–16.
Rahman, H. (2016). Diskriminasi Gender Perempuan Papua dalam Novel Isinga Karya Dorothea Rosa Herliany. Bahastra, 35(2), 41–49.
Ratna, N. K. (2006). Teori, Metode, dan Teknik Penelitian Sastra. Pustaka Pelajar.
Razan, V. F., & Erowati, R. (2021). Perlawanan Objektifikasi Perempuan dalam Karya Utuy Tatang Sontani. Prosiding Samasta, 885–898.
Ross, C. (1997). Redefinitions of abjection in contemporary performances of the female body. Res: Anthropology and Aesthetics, 31(Spring), 149–156.
Smolak, L., & Murnen, S. K. (2011). The Sexualization of Girls and Women as a Primary Antecendent of Self-Objectification. In R. M. Calogero, S. Tantleff-Dunn, & J. K. Thompson (Ed.), Self-Objectification on Women (hal. 53–75). American Psychological Association.
Sugihastuti. (1998). Penelitian Kualitatif Sastra Berperspektif Feminis. Humaniora, 8, Juni-Agustus, 28–32.
Wardiningsih, V. S. W. (2017). Konstruksi Gender dalam Novel Isinga Karya Dorothea Rosa Herliany. Jurnal Ilmiah Kebudayaan Sintesis, 11(1), 37–52.
Wiyatmi, W., Suryaman, M., & Swatikasari, E. (2019). Developing an Ecofeminist Literary Criticism Model to Cultivate an Ecologically Aware and Feminist Generation. Interdisciplinary Literary Studies, 21(4), 515–531.
Copyright (c) 2024 GHANCARAN: Jurnal Pendidikan Bahasa dan Sastra Indonesia
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia uses an Open Access Policy under the Creative Commons Attribution-ShareAlike 4.0 International License. Authors publishing in this journal agree to the following terms:
- Ghancaran Journal holds the copyright and grants the journal rights for first publication with the work simultaneously licensed under a
The work is distributed under Creative Commons Attribution-ShareAlike 4.0 International License which allows others to share, copy, and redistribute the material in any media or format and adapt, remix, change, and develop the material even for commercial purposes, as long as it is stated credit and license derivative works under similar terms. - Authors may make additional contractual arrangements for non-exclusive distribution of the journal's published work version.
- Authors are permitted to post their work online (e.g., in institutional repositories or on their websites) before and during submission, as doing so may lead to productive exchange.